Argument Essay for Black/Women History for english 11

Answer:

PT-P HEORETICAL DISCUSSION in African-American women's history begs for greater voice. I say this as a black woman

who is cognizant of the strengths and limitations of current

feminist theory. Feminist scholars have moved rapidly forward

in addressing theories of subjectivity, questions of difference, the construction of social relations as relations of power, the conceptual implications of binary oppositions such as male versus female or equality

versus difference-all issues defined with relevance to gender and with

potential for intellectual and social transformations.l Notwithstanding a

few notable exceptions, this new wave of feminist theorists finds little to

say about race. The general trend has been to mention black and Third

World feminists who first called attention to the glaring fallacies in essentialist analysis and to claims of a homogeneous "womanhood,"

"woman's culture," and "patriarchal oppression of women."2 Beyond

this recognition, however, white feminist scholars pay hardly more than

A number of people read earlier versions of this article. I am especially grateful to

the insights, suggestions, and probing questions of Sharon Harley, Paul Hanson, Darlene

Clark-Hine, and Carroll Smith-Rosenberg.

1 See, e.g., Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984), and Teresa de Lauretis, ed., Feminist Studies,

Feminist Criticism (Bloomington: Indiana University Press, 1986); Toril Moi, Sexual/

Textual Politics (New York: Routledge, 1985); Joan W. Scott, Gender and the Politics of

History (New York: Columbia University Press, 1988); Judith Butler, Gender Trouble:

Feminism and the Subversion of Identity (New York: Routledge, 1990).

2 By the early 1980s women of color from various disciplines had challenged the notion of a homogeneous womanhood. A few include: Sharon Harley and Rosalyn

Terborg-Penn, eds., The Afro-American Woman: Struggles and Images (Port Washington, N.Y.: Kennikat, 1978); Gloria T. Hull, Patricia Bell Scott, and Barbara Smith, eds.,

But Some of Us Are Brave (Old Westbury, N.Y.: Feminist Press, 1982); Barbara Smith,

ed., Home Girls: A Black Feminist Anthology (New York: Kitchen Table: Women of

Color Press, 1983); Cherrie Moraga and Gloria Anzaldua, eds., This Bridge Called My Back: Writings by Radical Women of Color (New York: Kitchen Table: Women of

Color Press, 1983); Bonnie Thornton Dill, "Race, Class, and Gender: Prospects for an

All-Inclusive Sisterhood," Feminist Studies 9 (Spring 1983): 131-50.

Explanation:

Which detail best supports the inference that the narrator may have suspected hamlet of cheating more than once?

A. I looked down, a familiar hurt washing over me.

B. ...images some of the girls at school were only to happy to have on hand for weeks afterward.

C. Months later, my desire to punch him for whatever the context was had only slightly diminished.

D. Hamlet leaned back in his chair.

Which of the following describes the narrator’s mother? in the book Leap

She struggles to remember her past as a trapeze artist when she loses her vision.

Her past as a trapeze artist helps her move around now that she is blind.

She is blind because of her past experiences as a trapeze artist.

Her past is something she talks about often with her family.

In this speech Roosevelt termed, for the first time, journalists as muckrakers.

Muck-rake- n. A rake for scraping up muck or dung

Muckrake- v. To search out and publicly expose real or apparent misconduct of a prominent individual or business

SATURDAY, APRIL 14, 1906

In Bunyan's Pilgrim's Progress you may recall the description of the Man with the Muck-rake, the man who could look no way but downward, with the muck-rake in his hand; who was offered a celestial crown for his muck-rake, but who would neither look up nor regard the crown he was offered, but continued to rake to himself the filth of the floor.

In Pilgrim's Progress the Man with the Muck-rake is set forth as the example of him whose vision is fixed on carnal instead of on spiritual things. Yet he also typifies the man who in this life consistently refuses to see aught that is lofty, and fixes his eyes with solemn intentness only on that which is vile and debasing. Now, it is very necessary that we should not flinch from seeing what is vile and debasing. There is filth on the floor and it must be scraped up with the muck-rake; and there are times and places where this service is the most needed of all the services that can be performed. But the man who never does anything else, who never thinks or speaks or writes, save of his feats with the muck-rake, speedily becomes, not a help to society, not an incitement to good, but one of the most potent forces for evil.

There are, in the body politic, economic and social, many and grave evils, and there is urgent necessity for the sternest war upon them. There should be relentless exposure of and attack upon every evil man whether politician or business man, every evil practice, whether in politics, in business, or in social life. I hail as a benefactor every writer or speaker, every man who, on the platform, or in book, magazine, or newspaper, with merciless severity makes such attack, provided always that he in his turn remembers that the attack is of use only if it is absolutely truthful. . . To assail the great and admitted evils of our political and industrial life with such crude and sweeping generalizations as to include decent men in the general condemnation means the searing of the public conscience. There results a general attitude either of cynical belief in and indifference to public corruption or else of a distrustful inability to discriminate between the good and the bad. Either attitude is fraught with untold damage to the country as a whole. The fool who has not sense to discriminate between what is good and what is bad is well-nigh as dangerous as the man who does discriminate and yet chooses the bad. There is nothing more distressing to every good patriot, to every good American, than the hard, scoffing spirit which treats the allegation of dishonesty in a public man as a cause for laughter. Such laughter is worse than the crackling of thorns under a pot, for it denotes not merely the vacant mind, but the heart in which high emotions have been choked before they could grow to fruition.

What was Roosevelt warning against in these sentences?

I hail as a benefactor every writer or speaker, every man who, on the platform, or in book, magazine, or newspaper, with merciless severity makes such attack, provided always that he in his turn remembers that the attack is of use only if it is absolutely truthful. . .


Falsely accusing people of evil practices
Writing too passionately on certain topics
Telling the truth will lead to retaliation
Forgetting that journalism is very powerful

How often do you...? Adverbs of frequency Question Your answer How often do you eat fish? How often do you drink milk? How often do you watch TV? How often do you ride a bike? How often do you go swimming? How often do you drink tea? How often do you eat in a toilet? How often do you read books? How often do you brush your teeth? How often do you take a shower? How often do you wash your face? How often do you see a doctor? How often do you sing songs? How often do you drink coke?

Please help me I will give you extra points and the brain thing.

Imagine you are watching a movie. The current scene is the most dramatic and intense moment so far. The protagonist has met and is defeating her antagonist. What part of the plot structure are you most likely seeing?

Question 5 options:

Exposition


Falling Action


Climax


Resolution

PLEASE NO LINKS! PLEASE, PLEASE, PLEASE!

Is this an example of indirect or direct characterization? Justify your answer. "That night, she slept with the letter under her cheek."

please help me please will give brainliest to anyone who is good ​

PLEASE HELP WITH THIS ILL GIVE BRAINLIEST!!!

What do you think goes through Fortunato's mind after he realizes what has happened to him? Why doesn't he try to reason with Montresor? Use what you know about Fortunato to write a monologue, retelling the last part of the story from his point of view.

A 7-pound bag of cornmeal costs $44.80. What is the price per ounce?

plz help me Humpty Dumty is a nursery rhyme i need to change it to a story with at least 300 words help me plz as much as you can .​

Do you think that the brutality
(senseless violence) of slavery has
had a never ending impact on
society? Why or why not?

Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, So soon forsaken? young men's love then lies Not truly in their hearts, but in their eyes. Jesu Maria, what a deal of brine Hath wash'd thy sallow cheeks for Rosaline! How much salt water thrown away in waste, To season love, that of it doth not taste! The sun not yet thy sighs from heaven clears, Thy old groans ring yet in my ancient ears; Lo, here upon thy cheek the stain doth sit Of an old tear that is not wash'd off yet

1. Explain what is meant when Scout realizes, “Tom was a dead man the minute
Mayella Ewell opened her mouth and screamed."

A quotation that rephrases or rewords what someone said or wrote is called ________________________. A) a ghostwritten quotation B) an indirect quotation C) a quotation summary D) plagiarism

All of the following belong on a vocabulary cube except
A. a word picture.
B. words that sound like the word.
C. words that are associated with the word.
O D. synonyms and antonyms.

Homer's original verse was:
hexameter
pentameter
tetrameter
trimester

why should video games be a sport

Write the plural form of [suffix]

why is healthcare a problem in the us?

Give an example of Utility (as it relates to money, not electric bill).​

do you think the US and Iran will have good relation again? why or why not?

lppllpsoerhhhrjjejeehhe​

In This Side of Paradise, Mrs. Lawrence reminded Amory of _____.

his sister
Beatrice
himself
Rosalind

In the star and the lily how does the young warriors first dream propel the action of the plot

Why does the speaker end the poem by “[making sure] that these flying saucers / had discos inside”? How does this image relate to what the speaker is describing, as well as the poem’s meaning? Explain, citing any other passage from the poem that supports your answer.

The choice a protagonist makes at the peak of the rising action is called the_______




A. Climax

B. End Point

C. Falling Action

D. Narrative ​

aggregation
degradation
indignantly
Infallible

Define in your own words please please

3. According to the speaker, how does so

the speaker, how does sorrow affect those who suffer a great loss?

the boy in the striped pajamas important quotes