Answer: Medieval instruments can be classified as bas or haut, meaning:
Soft or Loud.
Explanation:
Terms used to describe early instruments and ensembles by their loudness, not their pitch.
copland's music for the ballet appalachian spring quotes the early american shaker tune:
Copland's music for the ballet "Appalachian Spring" quotes the early American Shaker tune "Simple Gifts."
In his composition for the ballet "Appalachian Spring," Aaron Copland incorporated the melody from an early American Shaker tune called "Simple Gifts." The Shakers were a religious sect known for their simple and contemplative way of life, and their music reflected those values. "Simple Gifts" is a traditional Shaker song that expresses themes of simplicity, humility, and gratitude.
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Copland's music for the ballet "Appalachian Spring" includes a direct quotation of the early American Shaker tune called "Simple Gifts."
The use of "Simple Gifts" is one of the most recognizable and memorable elements of Copland's composition. He incorporates this folk melody into the ballet to evoke a sense of Americana and capture the spirit of the Shaker community. "Simple Gifts" is a traditional Shaker song composed by Elder Joseph Brackett in the mid-19th century. The melody is characterized by its simplicity, repetitive structure, and uplifting quality.
Copland's arrangement of "Simple Gifts" within "Appalachian Spring" showcases his skill in integrating folk melodies into classical compositions and creating a distinctly American sound. The use of "Simple Gifts" in "Appalachian Spring" is particularly prominent in the ballet's famous section known as the "Variations on a Shaker Melody."
This section features a series of variations on the Shaker tune, showcasing Copland's imaginative orchestration and treatment of the melody. Through the incorporation of "Simple Gifts," Copland pays homage to the rich musical heritage of early American folk traditions and adds a touch of nostalgia and authenticity to his composition.
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the traditional japanese textile art of tsumugi-ori has been lost and forgotten over time.T/F
The traditional japanese textile art of tsumugi-ori has been lost and forgotten over time False.
The statement that the traditional Japanese textile art of tsumugi-ori has been lost and forgotten over time is incorrect. Tsumugi-ori is a traditional Japanese weaving technique that involves spinning raw silk fibers and creating unique patterns and textures.
While the popularity of tsumugi-ori may have fluctuated over time, it has not been completely lost or forgotten. Tsumugi-ori continues to be practiced and appreciated by artisans and enthusiasts in Japan and around the world. Efforts are also made to preserve and promote traditional Japanese textile arts, including tsumugi-ori, to ensure their cultural heritage is not lost.
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in fat pig, the last image the audience sees in the play is tom and helen ___.
In the play "Fat Pig" by Neil LaBute, the final image that the audience sees is of Tom and Helen walking down the street hand in hand.
This scene is a powerful one as it brings together the play's central theme of body shaming and society's narrow beauty standards. Throughout the play, Tom has been struggling with his attraction towards Helen, a plus-size woman, while also dealing with the societal pressures to conform to a certain body type. In the end, Tom chooses to embrace his feelings for Helen and reject the societal expectations that have been placed on him. The image of Tom and Helen walking hand in hand is a hopeful one as it signifies a rejection of societal norms and the acceptance of oneself and others. It also symbolizes the possibility of love and connection despite societal pressures and judgments. LaBute's play sheds light on the damaging effects of body shaming and the need for society to embrace diversity and accept people for who they are, rather than conforming to narrow beauty standards. Overall, the final image in "Fat Pig" is a poignant one that leaves a lasting impression on the audience.
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the most effective medium in terms of overall popularity and its ability to elicit emotions is:
The most effective medium in terms of overall popularity and its ability to elicit emotions is undoubtedly video.
Video has become an increasingly popular medium over the past decade, with the rise of social media platforms . These platforms have made it incredibly easy for people to share and consume video content, making it one of the most popular forms of media today.
The popularity of video can be attributed to its ability to evoke strong emotions in viewers. Video has the power to tell compelling stories, evoke laughter, inspire awe, and even bring tears to our eyes.
This is because video is a highly visual medium that can use images, music, and sound effects to create a powerful emotional impact.
In addition to its ability to elicit emotions, video is also a highly versatile medium that can be used for a wide range of purposes. From educational videos and promotional content to entertainment and documentaries, video has something for everyone.
Overall, the popularity and emotional impact of video make it the most effective medium for capturing and engaging audiences in today's digital age.
Whether you are a marketer, educator, or content creator, video is a powerful tool that can help you connect with your audience in a meaningful way.
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a fugue is a form intended exclusively for solo keyboard performance.
T
F
The given statement "a fugue is a form intended exclusively for solo keyboard performance" is False because a fugue is not exclusively intended for solo keyboard performance.
It is a contrapuntal composition that originated in the late Renaissance and Baroque periods. It is usually in three or four parts and is characterized by an interweaving of melodic lines, often beginning with the same phrase or theme.
Fugues are usually written for multiple instruments, such as strings, brass, woodwinds, or organs, but can also be written for just one instrument, such as a solo piano or a single voice. While a solo keyboard performance is a common way to perform a fugue, it is by no means the only way.
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a ____ graphic is composed of a grid of dots.
Answer:
Bitmap
Explanation:
A bitmap graphic is composed of a grid of dots.
Beethoven’s music is firmly rooted in the conventions of classical form.a. Trueb. False
The answer is true. Beethoven is considered one of the greatest classical composers of all time, and his music is firmly rooted in the conventions of classical form.
This means that his music follows the traditional structures, styles, and techniques of the classical era, which lasted from the mid-18th to the early 19th century. Beethoven's music is characterized by its clarity, balance, and symmetry, as well as its use of sonata form, which is a key element of classical music. His works, such as his symphonies, concertos, and sonatas, are known for their innovative harmonies, complex rhythms, and emotional intensity. Beethoven's contribution to classical music is undeniable, and his influence can still be heard in contemporary music today.
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which of the following is not a hallmark of a postmodern production? multiple choice A. fragmented space B. closeness C. deconstruction D. nonlinear structure
The hallmark of a postmodern production is often characterized by a nonlinear structure, fragmented space, deconstruction of traditional narrative and the closeness of the audience.
However, out of the options given, the hallmark that is not typically associated with postmodern production is closeness. Postmodern productions often challenge traditional theater conventions and invite the audience to engage in a more participatory experience. This can be achieved through techniques such as breaking the fourth wall, interactive installations, and immersive environments. However, closeness in this context may refer to physical proximity, which is not necessarily a defining feature of postmodern productions. Instead, postmodern productions often aim to blur the boundaries between performer and audience, encouraging participation and engagement beyond the confines of the traditional stage.
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The vocal dimension of hip-hop music is: __________
The vocal dimension of hip-hop music is a crucial element that sets it apart from other genres. Hip-hop music is known for its strong emphasis on rhythm and poetry, and the vocal delivery plays a significant role in conveying the message of the lyrics.
The style of rapping in hip-hop can vary from fast-paced, intricate rhymes to more laid-back and conversational flows. The tone of the voice and the way the words are emphasized can also convey a range of emotions, from anger and frustration to joy and celebration.
In addition to the traditional rapping style, hip-hop also incorporates elements of singing, spoken word, and vocal samples from other sources. The use of these different vocal techniques adds depth and texture to the music and can create a unique and dynamic sound.
Overall, the vocal dimension of hip-hop music is a powerful force that helps to bring the genre to life and convey the messages and experiences of the artists who create it.
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troubadours and trouvères were medieval musicians often living on the fringes of society.
That statement is generally accurate. Troubadours and trouvères were medieval musicians and poets who flourished during the 11th to 14th centuries.
They were primarily active in the regions of Occitania (southern France) for troubadours and northern France for trouvères.
These musicians often lived on the fringes of society, as they were wandering minstrels who traveled from place to place, entertaining noble courts, and other gatherings. They belonged to a class known as "jongleurs" or "minstrels," and their livelihood depended on their performances.
Troubadours and trouvères composed and performed lyric poetry, known as "chansons," which typically expressed themes of courtly love, chivalry, and the ideals of the aristocracy. They accompanied their poetry with musical instruments, such as the lute or the vielle (a type of medieval fiddle).
While troubadours were more prevalent in the south of France, singing in the Occitan language, trouvères were prominent in the north, writing and singing in the langue d'oïl (an early form of French). Their poetry and music were highly regarded, and they played a significant role in shaping the medieval poetic and musical traditions.
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Which composers did not employ total serialism in his work?
Answer:
There were many composers who did not employ total serialism in their work. For example, Igor Stravinsky, Maurice Ravel, and Sergei Prokofiev were all influential composers who did not embrace total serialism as a compositional technique.
Answer:
Samuel Barber, Thea Musgrave, and Ned Rorem
Explanation:
el greco' was the nickname of a famous painter. what does it mean?
El Greco was the nickname of a famous painter whose real name was Domenikos Theotokopoulos.
The term "El Greco" means "The Greek" in Spanish, which was the language commonly spoken in the region of Toledo, Spain, where he lived and worked for most of his life.
He was born in Crete, which at the time was a part of the Republic of Venice, and trained as a painter in the Byzantine tradition before moving to Venice and then to Rome to continue his studies.
El Greco is known for his unique style of painting, which combined elements of Byzantine, Renaissance, and Mannerist art. His works were characterized by elongated figures, intense colors, and dramatic lighting, which gave them a sense of spirituality and emotional intensity.
His most famous works include "The Burial of the Count of Orgaz" and "The View of Toledo."
Despite being born in Greece, El Greco spent most of his life in Spain, where he achieved great success as a painter and was highly esteemed by the Spanish royal court and the Catholic Church.
His influence can be seen in the works of many Spanish artists who followed him, including Diego Velázquez and Francisco de Goya. Today, El Greco is considered one of the greatest painters of the Spanish Renaissance and one of the most important figures in the history of Western art.
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which is a shot in which the camera moves forward, backward, or sidewise?
The shot that involves camera movement in the forward, backward, or sidewise direction is known as a tracking shot.
This type of shot requires the use of specialized equipment, such as a dolly or steadicam, to smoothly move the camera along with the subject or scene being filmed. A tracking shot is commonly used in films and television shows to add a sense of movement and dynamism to a scene, particularly when following a character's movements or exploring a physical space. This technique can also be used to create a subjective perspective, such as when the camera tracks alongside a character to show their point of view. Overall, the tracking shot is a powerful cinematic tool that can add a new dimension to storytelling and visual expression.
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the creative act of performing music spontaneously, a main characteristic of jazz, is called
The creative act of performing music spontaneously, a main characteristic of jazz, is called improvisation.
Improvisation is the process of creating music on the spot, without prior planning or rehearsal. In jazz, improvisation is an integral part of the music, and it is often considered the hallmark of the genre.
Jazz musicians use their knowledge of music theory, their technical skills, and their creativity to improvise solos and create new melodies.
They listen to each other and respond to the musical ideas that are being presented, creating a conversation through their instruments. The result is a unique and dynamic performance that cannot be replicated.
Improvisation is not limited to jazz, and it can be found in other genres of music as well. However, jazz is unique in its emphasis on improvisation as a central element of the music.
It is an art form that celebrates individual expression and creativity, and improvisation is a key way that jazz musicians are able to showcase their unique musical voices.
In conclusion, improvisation is the creative act of performing music spontaneously, and it is a main characteristic of jazz. Through improvisation, jazz musicians are able to express their individuality and create music that is both unique and dynamic.
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what group brought electronic dance music of the 80’s to the live performance stage?
Answer:
There were several groups and artists that helped bring electronic dance music of the 80s to the live performance stage. Some of these include Kraftwerk, Afrika Bambaataa, and Yellow Magic Orchestra. These artists and others helped popularize electronic dance music and paved the way for its inclusion in live performances.
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The group that is credited with bringing electronic dance music of the 80s to the live performance stage is New Order.
This band emerged from the ashes of Joy Division after the tragic s-u-i-c-i-d-e of frontman Ian Curtis. New Order was one of the pioneers of the post-punk movement, but they quickly embraced electronic music, incorporating synthesizers, drum machines, and sequencers into their sound. Their groundbreaking 1983 album "Power, Corruption & Lies" featured hit singles like "Blue Monday" that combined danceable beats with memorable melodies. New Order's live performances were also groundbreaking, featuring elaborate light shows and synchronized visuals that complemented the music. Their influence can be heard in countless electronic dance music acts that followed in their wake, making them true pioneers of the genre. Overall, New Order's contributions to electronic dance music are immeasurable, and their legacy continues to inspire artists today.
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most architectural sculpture was made to decorate what part of the etruscan temple?
Most architectural sculpture in Etruscan temples was made to decorate the roofline or the upper portions of the temple's façade.
The Etruscans, an ancient civilization in Italy, incorporated elaborate architectural ornamentation as a significant aspect of their temple designs. The sculptures served both decorative and symbolic purposes, reflecting the Etruscan's religious beliefs and cultural identity. The roofline, often adorned with sculptures of mythical creatures, gods, or other religious symbols, created a visually striking and imposing appearance.
These architectural sculpture not only added aesthetic value but also conveyed messages of divine presence and protection. Additionally, other areas of the temple, such as the entrance, friezes, or pediments, might also feature sculptural elements, further enriching the overall architectural composition.
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_________________ commissioned stravinsky to write ballets for ballet russes.
Sergei Diaghilev commissioned Stravinsky to write ballets for the Ballets Russes. Sergei Diaghilev was a Russian art critic, patron, and founder of the Ballets Russes, a renowned ballet company based in Paris.
He played a crucial role in promoting and collaborating with leading artists of the time, including Igor Stravinsky. Diaghilev recognized Stravinsky's talent and potential, and their partnership resulted in the creation of several groundbreaking ballets, such as "The Firebird," "Petrushka," and "The Rite of Spring." These collaborations between Diaghilev and Stravinsky had a profound impact on the development of 20th-century music and ballet, pushing boundaries and revolutionizing the art form.
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Cowrie shells in artworks by both african and pacific island peoples often represent: A. fertility
B. food C. shelter D. rain
Cowrie shells have been used in artwork by African and Pacific Island peoples for centuries. In these cultures, cowrie shells often represent fertility, as they are believed to have the power to increase the chances of conception and childbirth.
They are also associated with wealth and prosperity, as they were once used as currency. Additionally, cowrie shells were used as adornment, and were incorporated into clothing, jewelry, and other decorative objects. In Pacific Island cultures, cowrie shells were used to create intricate shell mosaics, which were used to decorate the interiors of homes and other buildings. Overall, cowrie shells are a significant part of the artistic traditions of both African and Pacific Island peoples, and their use in artworks serves as a symbol of the rich cultural heritage of these communities.
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the most popular of secular song forms at the court of elizabeth was the
The most popular secular song form at the court of Elizabeth I was the madrigal. Madrigals were a type of vocal music that originated in Italy in the 14th century and became popular in England in the 16th century.
They were typically written for three to six voices and were often accompanied by instrumental music. Madrigals were a popular form of entertainment at the English court, and many composers, including William Byrd and Thomas Morley, wrote madrigals for Elizabeth I and her court. The form was characterized by its complex vocal harmonies, which often featured intricate counterpoint and polyphonic texture. Madrigals were also known for their use of secular lyrics, which often dealt with love, courtship, and other themes of everyday life.
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in american society, the predominant folk music originally was the songs of:
In American society, the predominant folk music originally consisted of songs of diverse origins and influences.
Folk music in the United States developed through a blending of various cultural traditions brought by immigrants from different parts of the world. European settlers introduced their own ballads, dance tunes, and storytelling songs, reflecting their English, Scottish, Irish, and other European heritage.
However, it is essential to recognize that the songs of African Americans played a significant role in shaping American folk music. Enslaved Africans brought with them rich musical traditions, including spirituals, work songs, and blues, which profoundly influenced the development of American folk music. These songs expressed the struggles, sorrows, and aspirations of African Americans and served as powerful cultural and emotional outlets.
Over time, folk music continued to evolve and absorb new influences, such as Native American melodies, Latino rhythms, and the songs of other immigrant communities. The folk revival of the mid-20th century further popularized and expanded the folk music repertoire, bringing attention to traditional songs as well as original compositions inspired by folk traditions.
Today, American folk music encompasses a wide range of styles and genres, reflecting the diverse cultural fabric of the nation. It remains an integral part of the country's musical heritage, preserving historical narratives, social commentary, and individual experiences through the power of song.
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Which of these best describes Frank Gehry's design process?
Select one:
a. it is fluid and experimental
b. it is very controlled, almost rigid
c. he borrows heavily from previous architectural styles
d. it is focused entirely on natural lines
The best description for Frank Gehry's design process is: a. it is fluid and experimental.
Frank Gehry'sGehry is known for his innovative and unique architectural designs that often incorporate unusual shapes and materials. His design process emphasizes exploration, creativity, and pushing the boundaries of traditional architecture.
It is fluid and experimental best describes Frank Gehry's design process. Gehry is known for his highly creative and innovative approach to architecture, and his designs often incorporate unconventional shapes and materials.
He is known for embracing new technologies and materials, and his design process involves experimentation and iteration as he works to create buildings that push the boundaries of what is possible in architecture.
Therefore, the correct answer is a. it is fluid and experimental
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which popular style of music does william grant still incorporate in his music?
Answer:
Opera, Jazz, Blues, Spiritual.
Explanation:
Still's incorporation of three prominent forms of African American music into his piece, the blues, jazz, and spirituals.
It creates a unique symphonic style that celebrates the complexity and richness of the black experience in the post-Civil War musical era.
On West Side Story, Bernstein and Sondheim worked as a composer/lyricist team.True or False
The statement is True. In the musical "West Side Story," Leonard Bernstein composed the music, while Stephen Sondheim wrote the lyrics.
Bernstein refers to Leonard Bernstein (1918-1990), an American composer, conductor, and pianist who played a significant role in shaping the landscape of classical music in the 20th century. Born in Massachusetts, Bernstein showed prodigious musical talent from a young age. He gained international recognition as the music director of the New York Philharmonic, holding the position from 1958 to 1969.
Bernstein's versatile musical style encompassed both classical and popular genres, and he composed symphonies, operas, ballets, film scores, and Broadway musicals. His most famous works include the musical "West Side Story" and his orchestral composition "Symphony No. 2: The Age of Anxiety." Bernstein's compositions often showcased his innovative approach, blending elements of jazz, modernism, and traditional classical music.
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Which of the following groups took a pop-influenced approach to punk?
a. the Buzzcocks
c. the Clash
b. the Sex Pistols
d. the Jam
Answer:
the buzzcocks
Explanation:
in easy rider, where do wyatt and billy stash the money they made on the cocaine deal?
Wyatt and Billy stash the money they made on the cocaine deal in the gas tank of their motorcycle. They remove the gas cap, tape the bills together, and stuff them inside before replacing the cap.
The gas tank serves as a hidden compartment for their earnings, allowing them to travel with the money without arousing suspicion. This choice also emphasizes the film's themes of counterculture and rebellion, as they eschew traditional financial institutions and instead rely on their own ingenuity to secure their earnings.
In the film "Easy Rider," Wyatt and Billy, the two main characters, successfully complete a lucrative cocaine deal. After making a substantial profit, they stash the money in a discreet location to ensure its safety during their journey. They cleverly hide the cash inside the gas tank of Wyatt's chopper-style motorcycle. This unconventional storage method allows them to carry the money without drawing attention or arousing suspicion as they embark on their iconic road trip across the United States.
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the opening of the first movement of mozart’s eine kleine nachtmusik is best described as a(n)
The opening of the first movement of Mozart's Eine Kleine Nachtmusik is best described as a lively and energetic melody.
The use of strings in the beginning of the piece creates a cheerful and bright tone, inviting the listener to join in on the playful and joyful musical journey that follows. The melody is composed of a simple yet elegant arrangement that showcases Mozart's talent for creating beautiful and memorable tunes. Overall, the opening of the first movement of Eine Kleine Nachtmusik is a perfect example of Mozart's genius and ability to captivate his audience with his musical creations. In conclusion, the opening of this movement is an excellent representation of Mozart's musical style and a great introduction to the rest of the piece.
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Mozart’s Eine Kleine Nachtmusik first movement's opening can be described as a sonata-allegro. It starts with an energetic and joyful Mannheim Rocket theme, and features an animated pacing, a characteristic of the “allegro” part of a sonata-allegro form.
Explanation:The opening of the first movement of Mozart’s Eine Kleine Nachtmusik can best be described as a sonata-allegro. This type of form consists of three main sections: exposition, development, and recapitulation. In the exposition, themes are introduced. The development section elaborates and changes these themes. The recapitulation then restates the themes from the exposition. The first movement of Eine Kleine Nachtmusik opens with an ascending Mannheim Rocket theme, a signature of Mozart's music. The theme is energetic and joyful, reflecting Mozart’s style and the classical period in which he composed. The musical pacing is vigorous and animated, which is typical for the “allegro” part of a sonata-allegro form.
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according to the roman poet virgil, to whom do the romans trace their origin?
According to the Roman poet Virgil, the Romans traced their origin to the Trojan prince Aeneas.
In his epic poem, "The Aeneid," Virgil tells the story of how Aeneas fled from the burning ruins of Troy after it was destroyed by the Greeks. With a small band of followers, Aeneas sailed across the Mediterranean Sea in search of a new homeland.
After many trials and tribulations, Aeneas and his followers finally arrived in Italy. There, they encountered the local tribes and engaged in a series of battles. Eventually, Aeneas emerged victorious and founded the city of Rome.
Virgil's "The Aeneid" was an attempt to glorify Rome's past and to connect the city's origins to the Trojan War. It was also an attempt to legitimize Rome's rule over other territories, since it implied that the Romans were descended from a great and noble ancestor.
Today, many historians and scholars believe that Virgil's story is more myth than fact. Nevertheless, the legend of Aeneas and his journey to Italy remains an important part of Roman mythology and culture.
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beethoven composed his piano sonata in c-sharp minor, op. 27, no. 2 during his late style period.
a. true
b. false
Answer:
B. False
Explanation:
Piano Sonata in c-sharp minor, op. 27, no. 2 was composed in 1801 before his late style period in 1812-1827.
the renaissance was the golden age of: select one: compositions for large choral ensembles choral composition for small ensembles compositions for solo voice and instrumental ensemble vocal music accompanied by large instrumental ensembles
The Renaissance was the golden age of: compositions for large choral ensembles. Therefore, option A is correct.
Renaissance refers to a historical period in Europe that spanned roughly from the 14th to the 17th century. It was characterized by a revival of interest in art, literature, science, and learning, marking a significant cultural shift from the preceding Middle Ages.
In the context of music, the Renaissance witnessed a flourishing of choral music composition. Composers during this time, such as Josquin des Prez and Palestrina, created intricate and harmonically rich works for large choral ensembles.
These compositions showcased polyphonic textures, delicate vocal interplay, and expressive musical forms, contributing to the vibrant artistic landscape of the era.
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The Renaissance was a golden age of vocal music accompanied by large instrumental ensembles. Music was only one facet of the intellectual and artistic expression during this time, with significant advancements also observed in poetry, philosophy, sculpture, painting, and architecture.
Explanation:The Renaissance, which spanned from the 14th to the 17th century, was a profound period of cultural, artistic, and intellectual achievements. This age is often recognized as a golden age of vocal music accompanied by large instrumental ensembles. This period brought forth the creation of beautiful compositions for large choral ensembles, choral composition for small ensembles, and compositions for solo voice and instrumental ensemble.
In addition to music, the Renaissance was also a significant period for various other artistic expressions, like poetry, philosophy, sculpture, painting, and architecture. The wealthy city-states of northern Italy, primarily influenced this cultural flowering through trading and the preservation of the knowledge of ancient Greece and Rome.
Moreover, during this era, artists and scholars started to adopt the realistic and human-focused approach in their works, breaking free from the overly stylized art of previous ages. Such unique approaches towards realism and the ideal human form found in art were inspired by the works of ancient Greek artists of the Classical Age.
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which of the following composers invented the twelve-tone system of composition?
select one:
A. arnold schoenberg
B. igor stravinsky
C. alban berg
D. anton webern
Answer:
Arnold Schoenberg
Explanation:
Arnold Schoenberg developed the influential 12-tone system of composition, a radical departure from the familiar language of major and minor keys.