Please explain Mr. White's character development throughout this story. Please explain fully showing how he changes.


Here is the story section:
"Get it," she panted; "get it quickly, and wish---

- Oh, my boy, my boy!"

Her husband struck a match and lit the candle. "Get back to bed," he said, unsteadily. "You don't know what you are saying."

"We had the first wish granted," said the old woman, feverishly; "why not the second."

"A coincidence," stammered the old man.

"Go and get it and wish," cried the old woman, quivering with excitement.

The old man turned and regarded her, and his voice shook. "He has been dead ten days, and besides he--I would not tell you else, but--I could only recognize him by his clothing. If he was too terrible for you to see then, how now?"
"Bring him back," cried the old woman, and dragged him toward the door. "Do you think I fear the child I have nursed?"

He went down in the darkness, and felt his way to the parlor, and then to the mantelpiece. The talisman was in its place, and a horrible fear that the unspoken wish might bring his mutilated son before him ere he could escape from the room seized upon him, and he caught his breath as he found that he had lost the direction of the door. His brow cold with sweat, he felt his way round the table, and groped along the wall until he found himself in the small passage with the unwholesome thing in his hand.

Even his wife's face seemed changed as he entered the room. It was white and expectant, and to his fears seemed to have an unnatural look upon it. He was afraid of her.

"Wish!" she cried, in a strong voice.

"It is foolish and wicked," he faltered.

"Wish!" repeated his wife.

He raised his hand. "I wish my son alive again."

The talisman fell to the floor, and he regarded it fearfully. Then he sank trembling into a chair as the old woman, with burning eyes, walked to the window and raised the blind.

He sat until he was chilled with the cold, glancing occasionally at the figure of the old woman peering through the window. The candle end, which had burnt below the rim of the china candlestick, was throwing pulsating shadows on the ceiling and walls, until, with a flicker larger than the rest, it expired. The old man, with an unspeakable sense of relief at the failure of the talisman, crept back to his bed, and a minute or two afterward the old woman came silently and apathetically beside him.

Neither spoke, but both lay silently listening to the ticking of the clock. A stair creaked, and a squeaky mouse scurried noisily through the wall. The darkness was oppressive, and after lying for some time screwing up his courage, the husband took the box of matches, and striking one, went downstairs for a candle.

At the foot of the stairs the match went out, and he paused to strike another, and at the same moment a knock, so quiet and stealthy as to be scarcely audible, sounded on the front door.

The matches fell from his hand. He stood motionless, his breath suspended until the knock was repeated. Then he turned and fled swiftly back to his room, and closed the door behind him. A third knock sounded through the house.

"What's that?" cried the old woman, starting up.

"A rat," said the old man, in shaking tones--"a rat. It passed me on the stairs."

His wife sat up in bed listening. A loud knock resounded through the house.

"It's Herbert!" she screamed. "It's Herbert!"

She ran to the door, but her husband was before her, and catching her by the arm, held her tightly.

"What are you going to do?" he whispered hoarsely.

"It's my boy; it's Herbert!" she cried, struggling mechanically. "I forgot it was two miles away. What are you holding me for? Let go. I must open the door."

"For God's sake, don't let it in," cried the old man trembling.

"You're afraid of your own son," she cried, struggling. "Let me go. I'm coming, Herbert; I'm coming."

There was another knock, and another. The old woman with a sudden wrench broke free and ran from the room. Her husband followed to the landing, and called after her appealingly as she hurried downstairs. He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket. Then the old woman's voice, strained and panting.

"The bolt," she cried loudly. "Come down. I can't reach it."

But her husband was on his hands and knees groping wildly on the floor in search of the paw. If he could only find it before the thing outside got in. A perfect fusillade of knocks reverberated through the house, and he heard the scraping of a chair as his wife put it down in the passage against the door. He heard the creaking of the bolt as it came slowly back, and at the same moment, he found the monkey's paw, and frantically breathed his third and last wish.

Lago claims that his main motivation for wanting to get rid of Othello was his worry that he might have slept with Emilia. Iago himself, however, acknowledges that he is unsure whether or not these stories are accurate, saying, "I know not if't be true / But I, for mere suspicion in that kind / Will do as if for surety."

What else is mentioned by Lago?

Iago adds, "I do love her too," after confessing his attraction to Desdemona. Iago refuses to provide an explanation when Othello questions him about his purpose at the end of the play, responding only with the words "Demand me nothing," which suggests that neither of these motives fully explain how deeply Iago despises Othello. You are aware of what you know.

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Horses can be fed, exercised, and groomed by horse trainers. They could also be in charge of instructing jockeys and making sure stable hands are trained. Plans and oversight of training regimens for the horses under their care.Thus, option B is correct.

Horses are trained to be ready for any field they will enter, whether it be basic riding, police service, racing, or showing.They will preserve account records when attending race or show meets.  

Therefore, A trainer and apprentice experience friendship and collaboration that allow them to reach their goals through hard work.

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We can see here that the protagonist changed in the resolution when her father died because her father strict rules shaped her.

In the exposition, Kambili was a girl who was didn't like the way her father treated them in the house. But in the resolution, after her father died, she became coordinated and couldn't forget her father trainings.

A protagonist is actually known to be someone who is seen as the main character in a story ort a drama. Protagonists are known to be the individuals which a story resolve around.

My chosen story is "Purple Hibiscus", a story written by Chimamanda Ngozi Adichie. The story talks about Kambili, the protagonist and her family from the eastern part of the country.

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Answer:

Take over Africa and help Africans teach other languages and teach them technology.

Explanation: Please mark me brainiest.

Odysseus Character - Odysseus is the husband of Queen Penelope and the father of Prince Telemachus. He is a brave and strong warrior, but he is best known for his cunning. He is a minion of the goddess Athena and often sends divine help to him. He is a bitter enemy of Poseidon and interferes with his journey at every turn.

Odysseus' Strengths - Odysseus has the hallmarks of a Homeric leader.

Strength, courage, nobility, lust for fame and trust in his authority. "Sharp intelligence" is the biggest feature.

The goddess Athena prefers his faithful admirer Odysseus. When she shows him kindness, he shows her respect and makes her sacrifice. He understands the importance of having his guardian deity (goddess Athena) by his side.

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Mr. Croteau discovered a very comfortable work environment in the hospital. His work preference is working with people who come from the same world as he does.

The book "When the richer weds poorer" is a book of the Great Gatsby collection that talks about differences in social class and relationships. It is written by F. Scott Fitzgerald. This social class difference was also displayed in places of at Northfield mount Hermon prep school.

Mr. Croteau found the tranquility of comfort at the hospital and the fact that his preference of work style was represented by the workers there who as simple from his own  social class.

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Halina grow from pretending to accepting her reality without her mother by makes her way to a secret encampment in the woods where Jews survive by living underground.

Halina Rudowski is evading capture. She just makes it out when the Polish ghetto where she lives is evacuated, but her mother is less fortunate.

Halina travels to a hidden settlement in the woods with her friend Batya, where Jews hide underground to survive. Halina must adjust to life without her mother while the gang fights for food, deals with intramural issues, and tries to defend itself from the approaching Germans.

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The complex sentence among the options is D, "Even though I broke my model bridge, it held a five-pound weight," as it contains two types of clauses.

A complex sentence is a sentence formed by two types of clauses:

That is why we can identify option D as a complex sentence. Let's break it down:

Notice how the dependent clause sounds incomplete. After reading it, we would most likely ask "What? What happened?"

With that in mind, we conclude we have correct chosen option D as the complex sentence.

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Answer:

The archetypes in the movie Inside Out are the five main emotions that are portrayed as characters: Joy, Sadness, Anger, Fear, and Disgust. These emotions are the central protagonists of the film, and they represent the different ways that people experience and express their emotions.

Explanation:

Joy is the main character of the film, and she is portrayed as the emotion that is responsible for helping the protagonist, Riley, to experience happiness and well-being. Joy is optimistic, enthusiastic, and playful, and she is always trying to find ways to make Riley feel good.

Sadness is Joy's opposite, and she is portrayed as the emotion that is responsible for helping Riley to experience sadness and melancholy. Sadness is quiet, introspective, and contemplative, and she is always trying to find ways to help Riley to process her emotions and to feel better.

Anger is the emotion that is responsible for helping Riley to experience anger and frustration. Anger is hot-headed, aggressive, and confrontational, and he is always trying to find ways to help Riley to express her anger in a healthy and productive way.

Fear is the emotion that is responsible for helping Riley to experience fear and anxiety. Fear is nervous, anxious, and timid, and he is always trying to find ways to help Riley to cope with her fears and to stay safe.

Disgust is the emotion that is responsible for helping Riley to experience disgust and revulsion. Disgust is judgmental, critical, and fastidious, and she is always trying to find ways to help Riley to avoid things that are unpleasant or unappealing.

Overall, the archetypes in the movie Inside Out are the five main emotions that are portrayed as characters, and they represent the different ways that people experience and express their emotions.

Answer:

It takes place in a school

Explanation:

the school is the setting

The underlined passage is: "The house will undergo a failing renovation under de narators direction, much the owners disney." Option C is correct.

This passage foreshadows a conflict that the narrator will face in relation to the renovation of the house. The phrase "failing renovation" suggests that the renovation will not go well or will encounter difficulties. Additionally, the phrase "much the owners disney" implies that the owner of the house may not be pleased with the direction or outcome of the renovation.

Therefore, the conflict that the underlined passage foreshadows is a disagreement or tension between the narrator and the owner of the house regarding the renovation process and its results. This conflict may arise due to differences in vision, design choices, or the quality of the renovation work. It could also lead to challenges in completing the renovation successfully or potential conflicts between the narrator and the owner.

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Answer:

c

Explanation:

in 2015, Pennsylvania ranked fifth, where in 2014 was ranked in third

The most likely area to insert context to improve the scenes and better convey the setting is to give some at the beginning and some at the end, option A.

To improve scenes in communicating contexts for dialogues, it is best to start with establishing the setting at the top of the scene to help orient the readers. Also the use of visual imagery, dropping readers in the middle of the action and writing a character driven opening can go a long way to captivate the readers.

Others include summarizing past events, introducing plot twists while keeping the purpose of the scene in mind at all times. This will help with better feedback and conversation visualization.

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The company's president, Gordon Tredger, called the combination of our Loring Control System and speech recognition a revolution in roasting.

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Answer:

The writer's introduction of Loring sets up a new plan for Lance Kenniston to try to get his ship.

Explanation:

This doesn't mention money, nor how big the spaceship is. A character doesn't become the main one by accepting the idea. Instead, this gives hope that the girl Loring might know where to find a ship.

The sentence "some people get quite stressful about travelling" is incorrect because of the use of "stressful," when it should be the adjective "stressed."

Both adjectives "stressful" and "stressed" convey similar ideas - the nouns they modify are related to feeling stress. However, it is important to understand the differences between them:

Let's understand the difference better by checking the examples below:

Therefore, we can see that the use of "stressful" in the sentence provided in the prompt is incorrect. The correct adjective to be used is "stressed".

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That trying to remember is difficult and elusive, like trying to hold onto something intangible and ephemeral like fog. On the other hand, trying to forget is overwhelming and impossible to control, like trying to stop the monsoon, which is a powerful and destructive natural phenomenon. Essentially, Lakshmi is expressing the difficulty of both remembering and forgetting, and the idea that both can be frustrating and overwhelming experiences.

Answer: The speaker is using Extemporaneous speaking style

Explanation: Extemporaneous speaking is the delivery of a well prepared written speech that has been practiced, delivered in a conversational style while using minimal notes. The extemporaneous speaker can make and keep the audience's eye contact by using notes rather than a complete piece of writing. This also allows them to gauge whether the audience is understanding the speech as it goes along. The chance to evaluate also presents a chance to clarify whatever idea or concept that the audience appears to be having problems understanding.

Answer: i think that fabricating the stories to add mirth in our boring lives is simply dangerous

Explanation: according to me i think that fabricating stories just to bring the mirth in our lives is completely dangerous and not so good habit because it can break the strongest bond between any two person it doesn't matter how much close they are to each other because there is one saying "That trust takes years to build and it takes seconds to sheeter " and once that trust is broken or shattered then it can never be built again and then both the persons who were in relationship can feel that pain i would like to conclude that we should not create the stories just to add the mirth in our lives because it can very dangerous to both the persons and there are various other methods to bring mirth to our boring life.

The scripture mastery passage that teaches that the restoration of the gospel is "a marvellous work and a wonder" is Isaiah 29:14.

This passage states: "Therefore, behold, I will proceed to do a marvellous work among this people, even a marvellous work and a wonder: for the wisdom of their wise men shall perish, and the understanding of their prudent men shall be hid.

" This passage is often used to refer to the restoration of the gospel through the prophet Joseph Smith in the 19th century, as it speaks of a miraculous work being done among God's people.

It is seen as a testament to the truth and divinity of the restored gospel, as it is a "marvellous work and a wonder" that could not have been accomplished by the wisdom or understanding of man alone.

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Sammy, the story's narrator, is an opinionated, sardonic, and dissatisfied teenager with a strong curiosity in the sex that is not his or her own as well as a keen observational sense.

Sammy, the story's narrator, is an opinionated, sardonic, and dissatisfied teenager with a strong curiosity in the sex that is not his or her own as well as a keen observational sense. Sammy takes in every element of his surroundings and the girls' physical attributes, from the texture and patterns of their bathing suits to the many delineations of their tan lines. Sammy digs deeper beyond the obvious facts to learn more about the people he sees. For instance, Queenie's dangling bra straps are incredibly intriguing just from a physical standpoint, but they also serve as hints that help him build an impression of her inner life. His mental picture sharpens as he hears the females converse since he can now discern Queenie's socioeconomic class.

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The conflict between fate as well as free will may be described as the one caused by knowing one's fate as well as a sequence of decisions and acts that can be directed toward either embracing or avoiding one's fate.

Conflicts result from improprieties, viewpoints, or even philosophical concepts. The root of conflict might be personal, racist, socioeconomic, caste, social, or even worldwide, thus it will constantly exist in society.

At the conclusion of the game, Oedipus asserts that although his horrific crimes were predestined, he alone made the decision to become blind. Oedipus is making the case that, despite the fact that one cannot change their destiny, one can choose how one would react to it.

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Robert is profiting off of the NRA and other pro-gun organizations' work.

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Please type it on the screen.

"There is nothing permanent except change," which indicates that time affects everything, and that everything around us changes, whether it's the seasons, technology, or our lives. We must not become connected to anyone or anything, or we will embrace our sorrow.

Yes, at the end of the Nickel Boys, Elwood betrayed his principles.

Who was Elwood in the Nickel boys?

Elwood Curtis is the protagonist of the novel. Elwood Curtis was raised by his grandmother in the Frenchtown section of Tallahassee in the 1960s after his parents abandoned him at the age of six.

Elwood is taken to "The White House" after his first year at The Nickel School, in which he is flogged till the he falls asleep. Elwood ultimately loses all sense of his moral compass as well as any hope of escape because of how brave and noble he is in getting him into this situation.

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Answer:

D. There are more male superheroes than female.

Explanation:

In A, the 'Each and every person' part is redundant since the word each can be more efficient than that phrase.

In B, 'same' and 'identical' have the same meaning, so there was no point in mentioning that the bracelets were identical.

In C, 'sad and deeply unhappy' have the same meaning, so it is redundant to mention both words. Just mentioning that the movie made you sad was enough.

Hence, D is the most concise.

The fairies are said to as the leaders of typical occurrences in nature. Shakespeare also grants his fairies dominion over the seasons.

Shakespeare's A Midsummer Night's Dream depicts fairies that are more like this conventional sort, albeit more beneficent than some of their forebears. Shakespeare frequently employed fairies to interfere with the lives of the human people and cause trouble. Shakespearean fairies are said to be quite diminutive.

An crazy nature mirrors the conflict between Titania, the fairies' queen, and Oberon, their king, as well as the subsequent private war between them. Seasonal blending gets started. Overall, one could characterise the fairies from A Midsummer Night's Dream as helpful, amusing, enchanting, and gentle. They stand for the fanciful and fantastic "Green World." The three most important fairies in the play are King Oberon, Queen Titania, and Puck.

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Answer: "the ship was overturned by powerful waves."

Once upon a time, in a kingdom far, far away, there lived a brave young boy named Jack. Jack lived in a small village at the foot of a great mountain, where it was said that a fearsome dragon lived deep within its caverns.

One day, while out exploring the forest near his village, Jack stumbled upon a hidden cave. Without hesitation, he ventured inside, determined to see what lay within. As he made his way through the dark and winding tunnels, he suddenly heard a loud roar that echoed off the walls.

Frightened, Jack froze in his tracks, but he quickly realized that the roar was not one of anger, but rather one of pain. As he followed the sound deeper into the cave, he came upon a clearing where a great dragon lay, writhing in agony.

Without a second thought, Jack rushed to the dragon's side and saw that it was caught in a tangle of vines and thorns. He quickly set to work, cutting the vines away with his knife until the dragon was free.

As the dragon stood up, it looked down at Jack with gratitude in its eyes. "Thank you for saving me, young one," it said in a deep and rumbling voice. "I am the last of my kind, and I have been trapped in this cave for many years."

Jack was amazed to be talking to a real, live dragon. "Don't worry, I'll help you get back home," he said.

Together, they made their way out of the cave and back to the dragon's home in the mountains. As they flew through the skies, the dragon told Jack tales of its adventures and the many dangers it had faced.

In return, Jack shared stories of his own adventures and the brave deeds he had done to protect his village. The two became fast friends, and Jack knew that he would never forget the incredible journey he had shared with the dragon.

From that day on, Jack and the dragon visited each other often, and the villagers learned to fear the dragon no longer, for they knew that it was a kind and noble creature. And so, the boy and the dragon lived happily ever after, bound together by their friendship and their shared love of adventure.

Answer:

Explanation:

Jim and Della Young are foolish because they think that they need to give expensive material gifts to show their love to each other. They are wise because, in the end, they understand that it is their love and their willingness to sacrifice for the other that is the real gift. It is the love with which it is given that makes the material gift valuable, not how many dollars it cost.